Consideration was given to the report of the
Assistant Director – Housing and Communities which presented
to members an updated Street Art Management Policy and outlined the
rational for separating graffiti from street art within the Council
policy.
The Cultural Venues and Creative Arts Manager
and the Group Manager – Public Protection were in attendance
for this item.
The Cultural Venues and
Creative Arts Manager introduced the report which reviewed the
Street Art Management Policy, originally approved in 2022. The
revised policy clarified its focus on supporting community-led
street art, while removing references to graffiti, which was
addressed separately as a criminal matter under the Council’s
Corporate Enforcement Policy. The proposed changes aimed to reduce
confusion to ensure a clearer distinction between permitted street
art and enforcement activity.
Members considered the report and made the
following comments:
- Members queried the rationale for
removing graffiti from the Graffiti and Street Art Management
Policy and asked how graffiti would otherwise be addressed.
- The Group Manager – Public
Protection explained that graffiti continued to be treated as a
criminal and environmental enforcement matter and would be managed
through the Council’s Corporate Enforcement Policy and
Enviro-Crime processes, including partnership working with the
Police, cleansing teams and enforcement officers, and that this
change did not alter the Council’s approach to tackling
graffiti.
- Members sought clarification on the
scope of the policy and whether street art was limited to
Council-owned land.
- The Cultural Venues and Creative
Arts Manager advised that whilst the policy primarily supported
street art on Council-owned or community-supported sites, street
art could also take place on private property with the
landowner’s consent, and that in such cases the Council could
not insist on compliance but would encourage engagement with
officers and the community.
- Members queried how officers
distinguished between authorised street art and unauthorised
graffiti, particularly where artwork might be visible from public
areas.
- The Cultural Venues and Creative
Arts Manager explained that the determining factor was landowner
consent and the consultation process set out in the policy, with
unauthorised works continuing to be treated as graffiti and
addressed through enforcement routes.
- Members raised concerns that members
of the public might not easily be able to identify whether artwork
had been formally approved and suggested whether approved street
art should be visibly marked or labelled.
- The Cultural Venues and Creative
Arts Manager advised that, in practice, approved street art
projects usually involved consultation, funding and promotional
activity, and undertook to explore whether clearer identification
or promotion of approved works could be incorporated.
- Members expressed concern that
encouraging street art could lead to copycat graffiti on nearby
properties.
- The Cultural Venues and Creative
Arts Manager explained that authorised street art projects were
often delivered through workshops and educational activity, making
clear distinctions between designated authorised spaces and
unlawful graffiti.
- Members sought clarity on the
relationship between the Street Art Management Policy and the
Corporate Enforcement Policy, expressing concern that the
enforcement policy did not include specific examples such as
graffiti.
- The Group Manager – Public
Protection confirmed that the Corporate Policy was intentionally
generic due to the breadth of legislation enforced by the Council
and undertook to review accompanying
web-based guidance to clarify the Council’s practical
approach to managing graffiti.
AGREED:
1)
That the separation of the Street Art Management
Policy from the Graffiti Policy be supported;
2)
That as graffiti was already governed by national
legislation and the Corporate Enforcement Policy, the proposal that
a separate Graffiti Policy was not required, be noted;
3)
That the Panel’s comments be noted.